Category: New Orleans

Anytime YHC is given the opportunity to take a Q with relatively short time to plan, that one Q idea that’s been eating at me, the one that keeps popping up every time I’m doing dishes or yardwork and that one song comes on demanding to be honored in the gloom, that’s the one that wins the day. There’s not enough time to work through the typical through process: “Nah, not that one; it looks like a lot of fun on paper, but these chumps wouldn’t appreciate it. Better do something a little more practical.” So, BAPS is requested at 4:50am, and Oontz ends up having to carry it. And carry it well if I do say so myself…and I do…say so myself.

Alright, the warmup:
The usuals, but Enron tried to take the moral high ground this time saying that somehow his count was the gold standard,despite the mumblechatter flowing forth like wine from his general area. Conflict continued for the duration as to who carried the rightful rep number, and truth was lost somewhere deep under the many layers of misplaced confidence. Tana was pleased.

Mosey time led us to the first light at Rich Man’s Loop in a potential Indian Run formation. YHC then explained that we would be cycling through the following transportation methods at each light: run, nur (run backwards–you get it?), carioca L, carioca R, side shuffle L, side shuffle R. This started as pretty tough, but most of the PAX got in a groove toward the end, and it was a good way to warm up the system and work on some agility.

Once back at the flag, YHC revealed that Name That Tune would carry us through the rest of the beatdown. This was the third installment of Name That Tune, and YHC was a little trepidatious after the last two–a bunch of young ‘uns knew very little, and many hints had to be given to save tired muscles and a drooping morale, both times. But, this time, with so many new guys north of 40 and with a possible French Horn (the mutant 21-year-old) in the mix, YHC was a little more confident we’d get through more than five songs. But, when Horn didn’t show and with America’s Best out of the country, I wondered if Jeaux, Honeysuckle, and Popeye would be able to carry all that extra weight. Well, as it turns out, they could have carried much, much more.

The rules were as follows: an exercise would be executed for the duration of the song unless the PAX could identify the artist or the title, either of which would allow for stoppage halfway through. Identifying both would allow for a full stop, and we’d skip to the next one.
Here’s the song list (it was shuffled, so not in this order) with exercises and results for each:

* “Steppin’ Out” by Joe Jackson: Rocky Balboas on the curb–one of only two songs (sort of) that nobody knew either the title or the artist (top 5 in 1982). That was a rough 4:30.
* “One Particular Harbor” by Jimmy Buffet: Moroccan Night Clubs–YHC fully expected that the PAX would pick up on Buffet’s voice, but no way anyone would get the title. Popeye and Honeysuckle nailed both before he even started singing. This is when I knew my list was in trouble.
* “Solsbury Hill” by Peter Gabriel: OH clap–it took him a few seconds, but Honeysuckle pulled the title from somewhere deep, and Popeye followed immediately with the artist. Unbelievable.
* “Walk of Life” by Dire Straits: hillbilly walkers–last night I though this one might carry all the way through, but by the time this one started this morning, I knew it was done for in the first few seconds; and it was.
* “Kyrie” by Mr. Mister: genuflections–this one was the only one (besides “Stepping Out”) that went as expected. Nobody knows who Mr. Mister is.
* “The Mountains Win Again” by Blues Traveler: step ups onstage–YHC wasn’t sure how deep into Blues Traveler this PAX may have ventured, but when Popeye shared openly that he’d shed a tear or two to this one in tenth grade, I knew I was finally among my people. He let it play out a bit just to reminisce and get some quad burn, but eventually shut it down before it got real.
* “Boys of Summer”: BBSU–by this time, Popeye was just toying with us. He let this one linger halfway through, even giving the PAX what should have been some solid hints, but he ended up being the one to pull the trigger again after the second refrain.
* “Higher Love” by Steve Winwood: OH press–this one actually played first, and Honeysuckle and Popeye blasted it with both barrels within the first two notes. YHC almost lost composure, but was able to hold it together and pretend that I had put that one on there as a gimme. I mean, Popeye was coming out with like middle names and birth dates and stuff.
* “Home” by Marc Broussard: butt kicks–the title of this one was pretty self evident, but Tana came from out of nowhere with the artist within the first few seconds. This one was supposed to trip up the old guys since it’s a little more niche, but Tana swatted it like Mutombo.
* “Paint it Black” by The Rolling Stones: calf raises–by the time this one came on, YHC already had his finger on the skip button. No hope.
* “Drumline Cadence” Tiger Band: high knees (skipping cadence)–YHC knew this one didn’t stand much of a chance, but it’s fun. We came back to this one at the end and let it carry us out with a few minutes of cardio.
* “Funk #49” by The James Gang: LBC’s–
Honeysuckle: “Joe Walsh?”
YHC: “Nope”
HS: “Is that Joe Walsh?”
YHC: “Nope”
HS: “You sure that’s not Joe Walsh?”
YHC: “Yep”
HS: “That sounds like Joe Walsh.”
YHC: “Nope”
(After 4 minutes of funky guitar…)
YHC (triumphantly): “That was Funk #49 by The James Gang”
HS: “Wasn’t Joe Walsh the lead singer of The James Gang?”
YHC: “Next song…”
* “The Promise” by When in Rome: SSH–this one looked like it was gonna go all the way when Popeye had nothing and YJ was stuck on Duran Duran, but Honeysuckle was searching the dusty corners of his brain, and after a couple of minutes actually pulled this one out, title and artist. I’m still stunned.
* “Take on Me” by a-ha: Peter Parkers–YJ, though I called him out at the end for his surprising lack of impact, he shot this one down with all speed once he heard what the exercise was. At least Paradox was grateful.
* “Africa” by Toto: Freddy Merc–we had barely enough time to sit on the ground
* “Lord of Hosts” by Shane and Shane: squats–This was Dox’s only contribution, but it took him about three quarters of the way through the song to give Tana enough information to spark old youth group memories, and the artist was identified. Not long afterward, the title was deduced, and squats were squashed.

Thankfully, YHC created what had seemed like a much longer list than was necessary, so we only had to fill a few minutes at the end, but these dudes had me sweating, and they successfully brought about the easiest Goose Q on record. It was worth it, though, to know that I’m no longer alone. Not only did these guys know the music, they knew that it was good. Last week, Yank decried millenial music, but we still had to endure it–this week, we shunned it altogether and hopefully provided at least a few of the “kids these days” with some quality craftsmanship. You’re welcome.

SYITG,
Goose

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